1 00:00:00,004 --> 00:00:04,002 - As I add high resolution media affects transitions 2 00:00:04,002 --> 00:00:07,000 and all that kind of fun stuff to my project. 3 00:00:07,000 --> 00:00:09,005 Camtasia can begin to struggle to process 4 00:00:09,005 --> 00:00:11,006 all of that in real time. 5 00:00:11,006 --> 00:00:15,009 Making editing a tedious and hair-pulling experience. 6 00:00:15,009 --> 00:00:19,005 So let's check out a few ways to handle troublesome tracks 7 00:00:19,005 --> 00:00:21,003 and keep editing fun. 8 00:00:21,003 --> 00:00:23,001 My first tactic for dealing with this 9 00:00:23,001 --> 00:00:25,007 is to get my foundation editing done 10 00:00:25,007 --> 00:00:28,008 before I begin adding the shiny stuff. 11 00:00:28,008 --> 00:00:30,007 For this project that meant trimming up 12 00:00:30,007 --> 00:00:32,005 my live action video first. 13 00:00:32,005 --> 00:00:33,008 That's my bottom track here. 14 00:00:33,008 --> 00:00:36,003 My talking head video, my live action video 15 00:00:36,003 --> 00:00:38,000 whatever you want to call it. 16 00:00:38,000 --> 00:00:40,000 So I recommend starting there. 17 00:00:40,000 --> 00:00:43,001 Get your screencap, your talking head, your voiceover, 18 00:00:43,001 --> 00:00:45,002 whatever is your foundation track. 19 00:00:45,002 --> 00:00:48,000 Get that looking and sounding the way you want 20 00:00:48,000 --> 00:00:50,008 before adding call-outs, effects, graphics 21 00:00:50,008 --> 00:00:52,001 and all that kind of stuff. 22 00:00:52,001 --> 00:00:56,004 Because these can suck up a lot of processing power. 23 00:00:56,004 --> 00:00:59,004 Next trick is to simply disable a track. 24 00:00:59,004 --> 00:01:02,004 If my 4K video track is slowing things down, 25 00:01:02,004 --> 00:01:05,005 I can just click this little eyeball icon here 26 00:01:05,005 --> 00:01:07,005 and temporarily disable it. 27 00:01:07,005 --> 00:01:11,004 That way I can focus on these other tracks here. 28 00:01:11,004 --> 00:01:14,006 And I can, of course, reenable it at any time 29 00:01:14,006 --> 00:01:17,008 by clicking on the eyeball once again. 30 00:01:17,008 --> 00:01:20,002 Alternatively, I can solo a track 31 00:01:20,002 --> 00:01:22,001 by holding Alt on the keyboard 32 00:01:22,001 --> 00:01:23,008 while clicking the eyeball icon. 33 00:01:23,008 --> 00:01:25,008 If I want a solo track two, 34 00:01:25,008 --> 00:01:28,007 Alt on the keyboard, click the eyeball icon 35 00:01:28,007 --> 00:01:33,005 and now I can focus on just this one track. 36 00:01:33,005 --> 00:01:35,009 I can even solo multiple tracks 37 00:01:35,009 --> 00:01:38,000 while this sounds a tad counter-intuitive, 38 00:01:38,000 --> 00:01:38,009 you can do it. 39 00:01:38,009 --> 00:01:40,003 I can solo both this track. 40 00:01:40,003 --> 00:01:41,008 And if I repeat the process, 41 00:01:41,008 --> 00:01:44,004 Alt on the keyboard, eyeball icon, 42 00:01:44,004 --> 00:01:49,000 now just these two tracks are enabled. 43 00:01:49,000 --> 00:01:51,005 And when I'm ready, I can unsolo tracks 44 00:01:51,005 --> 00:01:53,001 by repeating the process, 45 00:01:53,001 --> 00:01:56,000 Alt on the keyboard, eyeball icon 46 00:01:56,000 --> 00:01:58,008 same deal with this track. 47 00:01:58,008 --> 00:02:00,007 You will of course want to make sure 48 00:02:00,007 --> 00:02:02,002 all of your tracks are enabled 49 00:02:02,002 --> 00:02:05,003 before rendering out your final project. 50 00:02:05,003 --> 00:02:07,004 So there are a couple of simple ways 51 00:02:07,004 --> 00:02:09,003 to handle troublesome tracks 52 00:02:09,003 --> 00:02:10,008 while you edit your project.