1 00:00:00,005 --> 00:00:03,000 - There is no right or wrong way 2 00:00:03,000 --> 00:00:05,006 to go about editing a project. 3 00:00:05,006 --> 00:00:09,005 No one is ever going to see what happens on the timeline. 4 00:00:09,005 --> 00:00:12,009 The only thing that really matters is your final video. 5 00:00:12,009 --> 00:00:15,004 That said, there are some guidelines 6 00:00:15,004 --> 00:00:17,007 that can help you create better projects 7 00:00:17,007 --> 00:00:20,008 faster with less hassle. 8 00:00:20,008 --> 00:00:23,001 I'm going to show you my basic workflow, 9 00:00:23,001 --> 00:00:25,007 take away whatever works for you. 10 00:00:25,007 --> 00:00:28,001 For me, creating a multimedia project 11 00:00:28,001 --> 00:00:29,009 is like building a house. 12 00:00:29,009 --> 00:00:31,008 I've never actually built a house 13 00:00:31,008 --> 00:00:34,007 but I've observed the process many times. 14 00:00:34,007 --> 00:00:38,000 Every house I've seen built starts with a foundation. 15 00:00:38,000 --> 00:00:41,002 For a video project, this could be a voiceover, 16 00:00:41,002 --> 00:00:44,001 a screen capture or even a slide deck. 17 00:00:44,001 --> 00:00:47,008 For this project, my foundation is me on camera. 18 00:00:47,008 --> 00:00:51,001 I want to make sure my foundation is solid. 19 00:00:51,001 --> 00:00:55,002 I remove any excess material and smooth over any flaws. 20 00:00:55,002 --> 00:00:56,009 It doesn't need to be perfect, 21 00:00:56,009 --> 00:00:59,005 I'll still have opportunities to hide my cuts 22 00:00:59,005 --> 00:01:01,007 and patch my holes, but I want to start 23 00:01:01,007 --> 00:01:05,002 with a strong foundation to build on. 24 00:01:05,002 --> 00:01:06,008 Once that's taken care of, 25 00:01:06,008 --> 00:01:09,003 if my project is going to have a music track, 26 00:01:09,003 --> 00:01:11,002 this is usually when I add it. 27 00:01:11,002 --> 00:01:15,000 Now, really music can be added at any point in a project, 28 00:01:15,000 --> 00:01:18,001 but I find a music track helps drive the timing 29 00:01:18,001 --> 00:01:20,000 and tempo of the video. 30 00:01:20,000 --> 00:01:21,003 I like to play the music track 31 00:01:21,003 --> 00:01:23,009 along with my foundation and make adjustments to each 32 00:01:23,009 --> 00:01:25,007 so they fit together. 33 00:01:25,007 --> 00:01:26,006 For this project, 34 00:01:26,006 --> 00:01:30,004 the music didn't really add anything so I cut it. 35 00:01:30,004 --> 00:01:33,007 Next I add my supporting structure, my B-roll, 36 00:01:33,007 --> 00:01:36,008 screen captures, video clips that help tell the story, 37 00:01:36,008 --> 00:01:39,003 text and callouts, all that kind of stuff. 38 00:01:39,003 --> 00:01:43,002 I work left to right on the timeline and bottom up. 39 00:01:43,002 --> 00:01:45,002 All of my storytelling additions 40 00:01:45,002 --> 00:01:48,004 go on top of my foundation track. 41 00:01:48,004 --> 00:01:51,001 I do a lot of experimenting at this stage. 42 00:01:51,001 --> 00:01:53,005 I try it out, see if it works, improve on it 43 00:01:53,005 --> 00:01:55,008 or maybe just cut it. 44 00:01:55,008 --> 00:02:00,002 Next come my utilities, transitions, animations, behaviors, 45 00:02:00,002 --> 00:02:01,007 all that kind of stuff. 46 00:02:01,007 --> 00:02:06,003 Once again, lots of playing around and experimentation. 47 00:02:06,003 --> 00:02:08,005 I of course have my go-to moves, 48 00:02:08,005 --> 00:02:09,007 but I like to discover 49 00:02:09,007 --> 00:02:12,007 at least one new technique with every project. 50 00:02:12,007 --> 00:02:15,007 So I'm always growing and learning. 51 00:02:15,007 --> 00:02:18,009 This is also where grouping usually comes into play. 52 00:02:18,009 --> 00:02:22,001 Things can start to get a bit cluttered on the timeline 53 00:02:22,001 --> 00:02:24,006 and grouping helps to keep everything manageable 54 00:02:24,006 --> 00:02:26,008 and the project flowing. 55 00:02:26,008 --> 00:02:30,005 And finally, I finish everything off with a shiny paint job. 56 00:02:30,005 --> 00:02:32,009 Audio processing, color correction, 57 00:02:32,009 --> 00:02:36,004 maybe even some sound effects or a cool visual effect. 58 00:02:36,004 --> 00:02:37,007 All the small changes 59 00:02:37,007 --> 00:02:40,008 that add that extra bit of polish to a project. 60 00:02:40,008 --> 00:02:43,009 All of this might take an hour, or it might take a week. 61 00:02:43,009 --> 00:02:47,007 It really depends on the scope of the project, my audience, 62 00:02:47,007 --> 00:02:50,004 and of course the available time. 63 00:02:50,004 --> 00:02:53,007 Projects seem to expand to fill the available time. 64 00:02:53,007 --> 00:02:56,009 So even if I don't have a structured timeline, 65 00:02:56,009 --> 00:03:01,005 I usually give myself a deadline, lest I tweak indefinitely. 66 00:03:01,005 --> 00:03:03,009 At some point, I just have to say, "I'm done." 67 00:03:03,009 --> 00:03:07,001 And move on to the feedback stage of the project. 68 00:03:07,001 --> 00:03:08,006 This is what works for me. 69 00:03:08,006 --> 00:03:10,007 Like I said, the only thing that really matters 70 00:03:10,007 --> 00:03:13,005 is the final video, so do what works for you.